South Australian Blues Society
(It's the old 1999 website I have dragged out of the archives for you to have a look at!)
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BLUES NEWS
Strewth, another month gone already, and hasn't it been a hectic one, full of great gigs and busy schedules, a manic A.G.M, a fantastic tour by Broderick Smith and his buddy Mick Ahearne, and the Delightful Debbie and yours truly got married. Yes that's right, married...hitched...leg-roped...tied the knot...done the deed...whatever you want to call it...and no luckier man lives than me right now or forever. Truckloads of new blues CD's being released, stacks of prime blues gigs to hang out at, and married to a pretty lady...ah yes...it just doesn't get any better than this folks. And while I'm being all self-indulgent, I have to pass on my thanks to all our blues friends for their good wishes. Both local and interstate friends in the blues world - you all know who you are - and in particular the Harpin' Mama, Adele Meredith, thanks Mama, thanks John.
Right, got that out of the way, now onto other things. If we thought September was a hectic month, have a look at what October has to offer. Internationals Omar and The Howlers are coming to pay us their first visit and no-self respecting blues nut will want to miss that, or Women Sing The Blues on October 8. Ben Hur pales into insignificance compared to this epic, don't forget to book early for your tickets or you may miss out. I can see it now, six, yep count 'em, six lovely women on the fantastic stage at The Gov in one night, enough to make you drool am I right?
The new-look Blues News continues in it's evolutionary process. This month we have decided not to purposely put a spelling mistake on the front cover now that we've caught everyone's attention. Isn't it funny how everyone gleefully informs you when they think a mistake's been made, but we're saying we did it on purpose, that's our story and we're sticking to it. David Stoeckel continues to do a superb job with the lay-out of the magazine and with our website. We are getting comments from all over Australia about the site and if you haven't had a look yet, you really are doing yourself a dis-service.
Everlovin' Trev has had to postpone his great series on female blues performers. Everlovin' is a teacher, and when there's young people needin' the knowledge, Everlovin' is right there to give it to 'em. How cool would that be I wonder, to be sittin' in a classroom run by a dedicated bluesophile like Everlovin', wouldn't happen in my day.
Al Thorne has kicked in with a few things as usual, after he threatened me with physical violence after calling him 'Bad Boy' in the last issue. Jeez, sorry Al, no need to get all testy about it, you only gotta tell me once. Haff continues on his literary way with a couple of things again this month, and Glen (Prez) Reynolds is 'Mr Reliable' as ever, with his A.G.M. news and the Gig Guide.
A couple of letters have struggled their way through the Australia Post system. Don't forget that you can bare your soul to us through the letter's page if you want, the more the merrier I always say. Hope everyone enjoys this issue and this October, see you at the gigs kicking off with the semi-legendary 12 Bars Later hosting Jam Night.
And remember - Hard work pays off in the future, laziness pays off now.
Eazy
Big Mike Hotz
Mad Panic Promotions
Following suggestions made on the 1999 Member's Survey, we here at Blues News have decided to run a series of articles on people behind the blues scene in our state, people who never receive the recognition and congratulations they deserve for supporting blues and blues musicians. This is our way of saying "THANK YOU" for your services to the blues community. Last month we featured Craig Roberts, song-writer, this month it's Scott Glazbrook, and his Mad Panic Promotions.
After playing in various bands covering a variety of styles for many years, Scott decided that it was the Agents, the Middlemen, the P.A. hire guys etc, who were the people making money from the music industry.
"I made $100:00 after playing a gig one night and thought I had it made, but...."
After abandoning any idea of 'Rock Stardom', and with a young family to support, Scott and wife Linda decided that there was a need for some P.A. services in their area on the Yorke Peninsula, after every young guy with half a band wanted to hire what they describe in their own words as a 'very crappy little P.A.'. They then began to upgrade their P.A. systems, lighting rigs etc, and fell into the 'Booking Agency' side of things.
Arriving at the logical conclusion that, after booking a band, they would also need a P.A. system, Scott put two and two together and "Hey Presto", a business was born. 'Mad Panic Promotions' began to be Booking Agents, Promoters, P.A. hire services and lighting rig hire services. Scott also tells me that he can offer several other services as well including; Bullshitting, Beer Drinking, and Stacks of Panic thrown in at no extra charge.
That was some years ago, and 'Mad Panic' now own and operate everything from small vocal systems to full concert rigs, CD Party systems, etc. With access to over 400 artists, they're kept busy booking local and interstate gigs and tours, booking all musical styles. But the blues are a personal favourite and they do all they can to push Blues Acts and generally promote blues all over South Australia, and have recently branched out into the Northern Territory and Western Australia.
"Our equipment is constantly being up-graded and improved, and we can offer a complete package where we supply the System, set up and operate with our experienced engineers and crews. We have booked bands into Ponde, Victor Harbour Folk Festival, Darwin River Rock, and more recently have just completed what we call an 'Up The Guts' tour for the Matt Corcoran Band, travelling up through the centre of Australia to 'The Alice' and on to Darwin. We are in the process right now of finalising details for a similar tour for 'Turning Blue' commencing in October '99.
We intend to push on through and dig deeper into venues around this State and further afield. As 'Live' music venues disappear around Adelaide, we find ourselves having to work that much harder to keep bands and ourselves working, as we continue with our aim of pushing blues acts throughout South Australia.
We are happy to accept Bio's, Demo's etc from all local bands, and we will endeavour to do all we can to spread the good word of the blues".
Mad Panic Promotions has booked South Australian based acts such as; Hoy Hoy, The Healers, Blues Party, Chris Finnen, etc, and are the people responsible for booking many interstate tours, some of the top acts on the Australian Blues and Roots music scene including; Turning Blue, Brian Fraser (solo), Matt Corcoran Band, Bo Jenkins, Kerrianne Cox, and Rockbottom James and The Detonators.
Each and every one of these interstate acts constantly book and re-book with Mad Panic, so they have to be doing it right, and all blues lovers should applaud the good folk at Mad Panic, for the often thankless task they perform in supporting our Aussie musicians. It is a tough industry in which to work, where personal commitment, persistence, and a willingness to work are pre-requisites of the job, but when it all comes together the way it should, it can be rewarding, and eminently satisfying.
"We also have our own band, 'Hair Of The Dog'.......playing blues, boogie, 50's, 60's, R & B, and we are very good at drinking beer, and making drunk people dance".
Mad Panic Promotions can be contacted on
PH / Fax (08) 8835 1202
Mobile 0408 819 905
CD's and Merchandise is available from our interstate acts.
'Bluesmail'
There's quite a bit happening over in the Golden West these days in their thriving blues scene. The Perth Blues Club has a good newsletter happening entitled 'Bluesmail'. If you're like me and feel this compulsive urge to know what's happening all round Australia where blues is concerned, you might like to consider taking out a membership, their rates are very reasonable, and you can find out all about them on http://www.ozemail.com.au/~perthbluesclub/
Davey Simmons
Speaking of matters Western Australian, the news is that brilliant musician Davey Simmons has been back in the studios recording another blues album. Davey's previous blues album, 'Night After Night' was going to be his 'first and last' blues recording, and that would have been an absolute tragedy because he's a guy with an extraordinary amount of talent, but Davey has informed me that another album has been recorded, and a likely release date will be probably November or December of this year. South Australian folks have been hearing Davey's first CD played by me on The Saturday Blues Show on 5UV and a few copies have been sold locally. Anyone wanting a copy of either 'Night After Night', or Davey's fantastic jazz album 'Late Call' can now find them in Michael Bonython's Blue Beat Records in Hindley Street, or, if that's a hassle for you, give me a call on (08) 8244 4710, and I'll organise a copy for you. No idea of the title of the new CD yet but you'll hear it first on The Saturday Blues Show, and if we're very lucky, Davey Simmons may pay us a visit soon.
Big Mike Hotz
Greasy Gravy - With Meat? - With Potatoes? - With any damn thing!!!!
Yeah!!! Say what??? Say 'Greasy Gravy' that's what!!! Out cruisin' again the other night, once again lookin' for blues action, and once again ending up at The Squatter's Arms in Thebarton. Just about had to fight our way into the crowded back room which led this quick thinker into deducing that there was either free booze happening or there was a really good band on the bill. Should have known that free booze could not have been the go, but there was a band on, and they were damn good. Crammed into one end of the room was local band 'Greasy Gravy', who looked as though they were having a fatter time than the punters, man, they were going off, and the crowd loved them.
Brendan 'Boogie Boy' Bell was thrashing away at this old red Ibanez guitar in very lively fashion. Good player this guy, and a pleasure to watch as he allows himself to be carried away by the intensity of it all. He's definitely spent a lotta time at the 'Dave Hole School of Guitar Player's Contorted Facial Expressions', and whether he's attacking a red-hot solo, or laying down a blistering, relentless bit of rhythm, his energy and enthusiasm is apparent. Brendan's having a good time doing what he loves to do, play guitar. Nathan 'Lightning' Dawson was puffing away into his harmonica and singing a tune or two. He appears very shy and a little lacking in self-confidence, not at all comfortable in the spotlight, but he was having a go, becoming a little more relaxed as the gig went on. He's got a nice voice for blues and when he finds that confidence look-out, there'll be no stopping him. Someone who has no problems in the confidence department, is Nathan's wife, the indomitable Lara 'Lu Lu' Dawson This lady has the kind of voice to set any male quivering. Lara has a rare pair of lungs indeed, and one of the happiest personalities. She's sassy to the max, and as bold as brass, and just like all the other members of 'Greasy Gravy', she has a good time on stage. She's only been doing this for six months, but her stage presence and demeanour will be the envy of many a seasoned performer.
Now I gotta tell you about the rhythm section, they are a hoot as well. Two old blokes, and I hope they don't shoot me for describing them as that, but facts are facts.... Come on fellas, I'm only joking, I'm old too. Seriously, watching these blokes is almost as much fun as hearing them, 'Smokey' Dawson plays the upright bass, and plays it far better that he thinks he does. 'Smokey' is the youngest member of the band in musical experience, but he practices every day, and loves his music, and he's a better-than-competent bassist. My lady Debbie reckons Smokey's got the happiest eyes, don't know what that has to do with what I'm sayin', but I thought you'd like to know that fact from the Debster. Ray 'The Hitman' Tuddenbam (jeez I hope I got that right), is the old geezer on the drums, and he sings too. I'll never be able to listen to the Rolling Stones again after hearing Ray belt out 'Walkin' The Dog'. These two...er...older guys have a lot of fun on stage and are good to watch and hear in action.
All five band members know how to have fun, their joyful relaxed attitudes on stage are infectious, the audience has a good time because the musicians are having a good time and vice versa, and it makes going along to see this great band a thoroughly enjoyable thing to do. I'd much rather go see a band with heaps of energy having a real good time, laughing and joking amongst not only themselves, but with the audience as well, as opposed to the gigs where the musicians appear as though they are cast in bronze whose only motivation is to dazzle the truly fortunate audience with their amazing skill so that we might worship them as something more than mere humans.......how boring.
'Greasy Gravy' play well, they pack a lot into their shows with lots of songs around the two - two and a half minute mark, and cover a variety of styles. They do tunes by people such as Sugar Pie Desanto, Katie Webster, Candye Kane, Fabulous Thunderbirds, Rolling Stones, Gary Primach, Rockbottom James and The Detonators, Carl Perkins, Willie Dixon, Muddy Waters and many more. Having at look at that sort of cross-section tells us that 'Greasy Gravy are versatile, not locked into the one format, which is another reason why they are so wonderful to watch 'Live'.
The Squatter's Arms was packed by a rowdy audience having big time fun when we saw this band. Every song drew boisterous applause. Brendan's guitar roared with real muscle, and Lara strutted around giving 100% despite having fallen victim to the dreaded flu earlier that day. This girl is a born entertainer and I can't say enough good things about her stage presence. She's a great singer, and she's backed by a great little band. If you are out looking for some serious fun at a blues gig, try to catch 'Greasy Gravy', you won't regret it.
Big Mike Hotz
Why Community Radio Stations Are So Valuable To Local Blues Bands.
This is an important topic for discussion because, as we all know, South Australian Commercial AM and FM networks are loathe or reluctant to get behind, promote, or above all, give air-play and/or interview time to local bands, let alone local bluesbands, or for that matter, national blues bands.
When is the last time you heard Matt Taylor, Phil Manning, Marco Goldsmith, Brian Fraser, Turning Blue, Geoff Achison etc, etc, etc, interviewed on radio or heard their music played on a commercial station?
One recent exception to that policy of ignorance, is an interview with the legendary Broderick Smith, aired by John Pemberton on one of his shows on MMM-FM, instigated by Big Mike Hotz inviting 'Pembo' to Broderick's gig for the S.A. Blues Society at The Gov recently - indeed a nice piece of insight by the big fella, and a coup for 'Pembo' on Triple M. Alas this is an all too spasmodic sojourn for Commercial radio stations.
This is why Community Radio, with their group of enthusiastic volunteer presenters with a passion and a belief in what they present to their loyal program followers, is absolutely invaluable.
First and foremost, community radio is usually the only electronic-radio medium for local blues bands to have a chance at promoting their product (CD's) on air, a chance to discuss aspects of the recording and distributing process, to promote their touring schedules in order to promote their recordings, CD launches, and a listing of upcoming gigs and information on the band/artists so people have the opportunity to make informed decisions.
Secondly, it is a relaxed, informal atmosphere in a community station's studios, which helps the bands feel at ease about discussing the bands aspects on-air. No high pressure time restraints or anything like that.
Thirdly, it helps the bands reach an audience of thousands, regular listeners / aficionados, further raising the profile of a band or artist within the area of the listeners specified interest, the blues.
So, the community radio presenter, unlike their commercial counterparts, can, and will, promote, support, and get behind local acts, providing them with the necessary vehicle to be heard by many, and to give encouragement to we in the industry who have no other options, adding to the income and longevity of local blues bands.
John 'Haff' Haffert
September's Jam - Party Time
Ventured to The Gov on September's jam night, to catch my first glimpse of Kenny Sinclair's outfit, 'Bob Bitchin' who were hosting the jam for the evening for the S.A. Blues Society, and this three piece outfit did not disappoint me. I've been eager to catch Kenny 'live' after jamming with him on a previous jam night, and was mightily impressed by the 'out-front' package he presented eg. ballsy, quality vocals, mighty tasty guitar work, and an effervescent 'happy-to-be-here' front-man persona - Nice One Kenny. The rhythm section really kept things happening, playing a good, nice tight set of diverse blues.
After a brief interlude, the jam band fronted, with Enzo Cekada (a S.A.B.S. committee member and blues stalwart) on the bottom end thing with four strings on it (Hey Haff - that's a bass guitar....Ed), myself on the skins and metallic discs (Gee...you can tell he's a drummer can't you?...Ed), young Mike Whatsisname on guitar, Adam on harp, and a local vocalist named Richard. We got ourselves underway with a slow bluesy featuring chops from all concerned. From memory, a couple of boogie things followed and all songs were well received by the punters.
It was soon time to call a temporary halt to proceedings to allow Enzo's fingers to cool off and Kenny Sinclair sat in on bass which gave me the opportunity to swap a few smiles with Ken as it felt good and solid as a rhythm section, Kenny's enthusiasm is just so infectious you just can't help but give back, the guy's always smiling and having a ball.
Vocalist Jay Jackson next bounced onto the stage giving Richard a rest, and we kicked into a nice, 'Joplinesque' rendition of that well known blues tune 'Whole Lotta Love' ( how many times am I gonna hafta tell ya Haff...Ed), and a good time was had by all.
Time for another shift in proceedings, as Gary climbed onto the drum stool and began to lay down a nice groove, while another axe-man whose name escaped me, and Kenny on bass and lead vocals belting out one of his band's killer tunes. It was then my opportunity to 'front and centre' and sing one of my all time favourite blues tune in Willie Dixon's 'Little Red Rooster' and the lads played it very nicely too thank you very much.
In typical jam night fashion, there was a cast of thousands, and even the ever-popular Perscia came out from behind the bar and performed one of her brilliant songs (Perscia sang...damn, knew I shoulda went...Ed)...and the band played on....! Hmmm...There's a line there somewhere...!
All in all, another thoroughly enjoyable jam night well received by the punters at The Gov. See you at October's jam, when my outfit '12 Bars Later' will be hosts for the night.
John 'Haff' Haffert
Omar and The Howlers - Visit Adelaide On Their First Australian Tour
European blues fans adore Austin, Texas based guitarist, singer and song-writer Omar Kent Dykes, and Australian audiences will too as Omar and his band 'The Howlers' tour our country for the very first time. That's because he fits the stereo-typical image many folk have of an American musician, he's tall, wears cowboy boots, and has a deep voice with a Southern accent. However, he does not carry a gun, and though he looks rough and tough, he's actually an incredibly peaceful and intelligent musician, and a veteran at working a crowd at a blues club or festival. While Omar still has a sizeable American audience, owing to his albums on 'Columbia Records', he stills spends a good portion of his touring year at festivals and clubs around Europe.
Among white blues musician, Dykes is truly one-of-a-kind, a fact that 'Columbia Records' recognised in the 1980's when he recorded for them. These days, Omar and The Howlers record for Austin, Texas label, 'Watermelon Records Label'. Since being dropped by 'Columbia Records' after the company was bought by 'Sony', Dykes independent-label output since 1990 has been nothing short of extraordinary. His albums since 1990 have included 'Monkey Land' (1990 - Antones); 'Live At Paradiso, Blues Springs Road' (1995); and 'Courts Of Lulu' (all for 'Rounder'); as well as 'Muddy Springs Road' (1995); and 'World Wide Open' (1996). His latest offering, and his best to date is 'Swingland', a 1999 album on the 'Black Top Label'. Omar's 1987 debut recording on Columbia, 'Hard Times In The Land Of Plenty' sold in excess of 500,000 copies, excellent numbers for a blues album.
Omar Kent Dykes was born in 1950, in McComb, Mississippi, the same town from which Bo Diddley hails. He first set foot into neighbourhood Juke joints at age 12, he recalled. After he'd been playing guitar for a while, he went back into the Juke joint. After graduating from high school, Dykes lived in Hattiesburg and Jackson, Mississippi for a few years before relocating to Austin, Texas in 1976. He'd heard the blues scene in Texas was heating up. At that time, Stevie Ray Vaughn was still playing with 'Paul Ray and The Cobras'.
"I know Stevie Ray had a big impact on me 'cause he was such a great guy. But I think everybody in the blues scene around here influenced everybody else", he said in a 1994 interview. "The blues scene is tight and loose at the same time. Everybody is rooting for everybody else, because it helps everybody else out when one artist is on the radio," he added.
October 27, 1999, sees Omar and The Howlers take the stage at The Governor Hindmarsh Hotel, and we're in for a big night's fun with this band with their bone-rattling display of swinging, rocking blues and swampy R & B such as this band has played to it's legions of fans around the world. Given that it has taken Omar and The Howlers fifteen years to come to Australia, everybody had best take this opportunity to see this band as it may be another fifteen years before we get another opportunity.
The Support act on the night will be local act, The Deliverymen, so we are ensured of a magnificent night's entertainment of red-hot blues action. Be sure to secure your tickets as soon as you can, from either Venue-Tix, or The Governor Hindmarsh Hotel. Prices are $20:00 + Booking for non-S.A.B.S. members, and $15:00 + Booking for members. This is one show anybody who likes a good time should not miss.
Big Mike Hotz
Women Sing The Blues - One Night Only
Well it started out big and it's getting bigger. Growing out of control, don't worry about that. On October 8, the ladies in question will have all the answers, and you can bet they'll be in control of the back room at The Governor Hindmarsh Hotel. This will be a showcase performance, featuring six of Adelaide's finest female vocalists. When 'Women Sing The Blues' takes to the stage, blues fans will be treated to a night of pure magic, backed by an allstar line-up of some of S.A's best musicians.
The women are; Connaitre Miller, Perscia Brokensha, Katrina Carpenter, Emma Delin, Kari Seeley and Kylena Vigus. The backing band will be; Steve Bilecki, Robbert Ernst, Chris Finnen, David Lloyd and Nigel Tocher. A special treat on the evening will be the legendary 'Goose' horn section; led by Dave Palmer, Peter Raidel, Warren Heading and Gordon Lambie. Connaitre Miller will be supported by her own band, the 'Connaitre Miller Quartet'. As well as Chris Hudson, who will play 'slide' guitar on a song co-written with Emma Delin.
'Women Sing The Blues' will lift the audience up and take them on a journey through soul, jazz, R & B, Gospel and Hard Rockin' Blues, as they pay tribute to such artists as Nina Simone, Aretha Franklin, Bonnie Raitt and Etta James, and there will be a number of tasty original songs to feast on as well. From full solo Acapella to a sixteen piece, full-on Blues Experience, it's sure to be one of those nights to stick in the memory for a long, long time.
After six months in the making, there will be only one chance to see 'Women Sing The Blues'. Don't miss out, book early for the show only, or for dinner and the show. Tickets for the show only are $15:00 + booking for non-members, $12:00 + booking for members (S.A.B.S). Dinner and the show $26:00 + booking and $23:00 + booking. For those who want the dinner and show, you should be seated by 7:15pm, with the show beginning at 8:30pm. Tickets available at The Governor Hindmarsh Hotel, or at Venue-Tix.
Al Thorne
Karski
The South Australian blues community are saddened to learn that we are losing one of our favourite musicians. Les Karski has decided to relocate to Western Australia, a fact that will leave a very large hole in our blues pool. We here at Blues News want to wish Les and his family all the best over in the West. We'll miss you Les and we thank you for all of the terrific musical moments you've provided the blues lovers in this State.
Mojo - R & B With Soul
Consisting of Dave Martin (ex Soul Commitments & Rhythm Willie) on Bass and Vocals, J. J. Hackett (ex Mondo Rock) on drums, Colin Elmer (ex Lola and The Fat Boys) on Guitar, and Raff (???) playing Hammond Organ and Keyboards, this dynamic four piece outfit play covers and originals in a variety of styles encompassing blues, acid jazz, soul and funk.
This band has only been playing around the Adelaide region for the past twelve months, but have secured a residency at The Grand Hotel in Glenelg. Colin Elmer incidentally, is a jazz instructor at the Adelaide University.
Be ready to dance when 'Mojo' appear on stage at The Governor Hindmarsh Hotel on Wednesday, 20th October.
Hoy Hoy - They May Be Only 12, But They Sound Real Grown Up
Chris Spencer's 'Who's Who Of Australian Rock' describes them as a 'Rock/Blues Outfit. Terry Heazlewood, Australia's longest serving blues presenter says, "Hoy Hoy play rockin' rhythm and blues with a particularly Australian flavour", and the punters just say "Hoy Hoy", loud and often.
On Friday, November 5 at The Warradale Hotel, and Saturday, November 6 at The Bridgeway Hotel's Bridge Bar, Hoy Hoy celebrate12 years at the fore-front of the Adelaide blues scene, with a couple of gigs which, from all the predictions I've heard so far, promise to be gigs that will live on in the memories of those who survive either night of blistering blues and rockin' R & B.
Frank Lang is Hoy Hoy. Now Frank being the humble man that he is, would be the first one to say that there have been other players responsible in building the band's reputation over the years, but the fact remains, that Frank has been the one constant factor, from Hoy Hoy's inception to the present day, and no band could hope to have a better ambassador. Frank was a member of Adelaide blues and R & B band, The Bodgies back in '81, (which also counted amongst it's members Don and Brian Morrison, two musicians who have also been permanent members of Hoy Hoy, and still play regularly with Frank), before spending a couple of years in a rock band called Jimmy Shelter, from around '82 - '84, when he was next invited to join, The Flyers, a band which had a big influence on the early direction of Hoy Hoy.
With all this accumulated experience and knowledge, Frank founded Hoy Hoy in 1988. In 1994, Hoy Hoy were invited to take part in a recording project resulting in the compilation CD entitled, "Deep South - South Australian Rhythm and Blues".Frank's band not only had four tunes on the album, but Frank scored the job of Executive Producer as well. In 1996, Hoy Hoy released their first full length album, "Don't Tell Frank", an album which was chock full of mostly original tunes written by the then current members of the band, and others who were either permanent Hoy Hoy members in the past, or regular guest players with the band.
Long standing band member, Trevor Draper, (Who???), okay, Trapper, became Hoy Hoy's drummer in 1994, and played on the "Don't Tell Frank" CD. Trapper and Frank have forged a friendship based on mutual respect which sees the pair work regularly together on music outside of Hoy Hoy, in particular with Matt Taylor's South Australian version of 'Chain'. Frank tells me that we should watch out for another album from Hoy Hoy soon, it will be called "Semaphore", a tribute to the area where Frank has lived all his life.
Hoy Hoy will have three guest musicians at their birthday shows, players who have all had an influence on Frank and contributed to the band's Australian sound. Frank's association with these players pre-dates the Hoy Hoy era by a decade. Chris Finnenwas the Hoy Hoy guitar player early in the 90's, but Frank and Chris go back to the late 70's. Chris recently released his fifth album, 'From The Kitchen Table To The Bottom Of The Morning'. Don Morrison of Raging Thirst fame, was the front-man for Hoy Hoy for a while and wrote two of Frank's favourite songs. Don sings, plays guitar and harmonica, and Frank's association with him goes back to the Bodgies time. Dave Blight can be heard rockin' along on early Cold Chisel albums. Dave, Frank, and Dave Small (the 'Hoy Hoy guitarist to have suffered the most), go back to the time of The Flyers.
So the line-up for the shows is mighty impressive, world-class in my opinion, and the two gigs are bound to be a lot of fun. Starting with a basic repertoire of songs off early 'Thunderbirds albums, and more recently covering the Paladins as well as a big slab of originals, Hoy Hoy will be playing a wide variety of styles verging on rock 'n' roll at times (which could well be the key to the band's continued success), but on the night, each guest is free to play what they want. But Frank reserves the right to call one or two of his favourites, which he thoroughly deserves.
From myself, and the rest of my cronies at Blues News and the S.A. Blues Society, Happy 12th Birthday Frank and Hoy Hoy, we're all looking forward to another 12.
Hoy Hoy - Warradale Hotel - November 5 and The Bridgeway Hotel - November 6.
Big Mike Hotz
Letter's To The Editor
This is the page where you can have your say. Feel free to write in about anything connected to the blues scene. Whether it be a suggestion, comment, criticism, (brickbats or bouquets) or whatever, we will welcome your input.
Don't slander anyone ('specially me), and we will not publish anything abusive, racist, political, defamatory or in a foreign language. The views expressed on this page belong solely with the letter authors, and are not necessarily those of the Editor.
Dear Editor
How diverse and I guess refreshing, are opinions about life and music. Hopefully it is healthy to disagree and debate. I was inspired by Al Thorne's review of Blu Stu in last month's Blues News to attend their Wednesday at The Gov. I kept waiting for what he described as "IT", but eventually retired - still waiting.
Whilst the players were competent, Blu Stu seemed to be a light-hearted, fun band that played some 12 Bar material. They seemed to lack genuine conviction and 'Body'. Sorry Al "Bad Boy", we are poles apart on this one.
To me, the blues can be conveyed by any number of players using varied or no instruments. It is a feeling radiated by that performance, and I didn't feel that radiation.
However, thanks to the S.A. Blues Society for giving us the bands, the venues, and the forum to air our views. Keep it up.
Greg Germein
Prospect
Dear Editor
I just want to thank Big Mike Hotz for bringing Broderick Smith to South Australia, and the Blues Society for putting him on at The Gov. My husband and I enjoyed the show immensely in the best venue in Adelaide. Having seen Broderick a number of times years ago, it was a pleasure to see him again, he has to be one of the best singers in Australia, and we hope he comes back soon. Thanks once again to all concerned and keep up the good work.
Margaret Reid
Goodwood
Limeburner's Restaurant - Burner's Blues Down South
Limeburner's Restaurant at McLaren Vale have two major Blues events happening over the next two months, and there are a few other interesting things going on down there as well. During the October long weekend, one of Adelaide's best blues bands, Gravel Road, will be playing there on Sunday 3rd and Monday 4th. The band play from 12:00 noon and a full A La Carte menu will be available, plus some extra Cajun and Creole delights will be on the menu. The band will play 'til 4:00pm then return to the stage at 6:00pm and play until 10:00pm. Monday sees the band back on stage at 12:00 noon until 4:00pm. If you're off to Victor Harbour for the Folk Festival, drop in and check out Limeburner's either on the way down, or on the way back. If you don't intend to go to the Folk Festival but want to go somewhere to hear some good blues in convivial surroundings, why not make the drive to McLaren Vale and sample what's on offer.
November 20, Limeburner's are having a Louisiana Food, Wine and Blues Dayfrom 12:00 noon to 4:00pm. Mike Festa and his band will have your toes tapping while you enjoy some great Cajun food, teamed with the selection of premium Fern Hill Estate wines, available by the glass and the bottle. The menu for the day will be a selection of entree size dishes styled on the American South.
Limeburner's Restaurant are also proud to announce that every Wednesday night, throughout October and November, from 7:00 - 11:00pm, Texas Blues Master, Mike Festa and his guitar will be playing laid-back rhythm & blues, mellow and unplugged. And he could even be quietly jamming with a special guest.
Forget those 'hump day' stresses and come down to tap your toes in time with Mike while you enjoy a meal or simply a glass of wine and a platter, or you could try one of their special blues night 'Limeburgers'.
To reserve your seat at one of these Wednesday night gigs, or to make a booking for one or both of the special event weekends, or just to find out more information, please phone Limeburner's Restaurant on 8323 8599 or Fax them on 8323 8622. The restaurant is located on the corner of Main and Chalk Hill Roads, McLaren Vale.
Jam Nights - Continue
Hey...the first Wednesday night of every month is JAM NIGHT. That means a chance to get up on stage with other musicians, whether seasoned pros, or perhaps 'newer' players on stage for the first time. When the people on stage all share a love of music (I mean blues), everyone gets a chance to shine.
As much as the younger players are grateful for the chance to show their chops, most of the older hands are pretty happy to encourage those less experienced but equally passionate about their music. The audience is usually quite pleasantly surprised with the resulting music which shows that good blues is as much about feeling as it is about technique (where have I heard that before).
So if you're looking for a night of good blues to enjoy, or if you think it's time to dust off your old guitar, sax, harp, kazoo, bass, washboard or whatever, and you want to make your stage debut, come on down to The Gov on the first Wednesday of the month. See you there.
Al Thorne
P.S. This month's host band for the jam will be 12 Bars Later, and what a show that will be.
Spectrum - At The Warradale, October 23
Mike Rudd and Bill Putt have been around so long they're considered part of Australia's musical heritage. Bands such as SPECTRUM, the INDELIBLE MURTCEPS and ARIEL illuminated the 70's and inspired many of Australia's popular musical icons. Spectrum's enormous hit, "I'll Be Gone (Someday I'll Have Money)" still inspires crowds all over the country.
During their thirty year career together, Mike and Bill have played alongside such artists as Deep Purple, Manfred Man, The Kinks, Joan Armatrading, Leo Sayer, Marc Bolan - even Gary Glitter - and recorded at the famous Abbey Road Studios. Mike Rudd's "I'll Be Gone" has been covered by a number of other artists including John Williamson and Manfred Mann's Earth Band.
In 1996, after a ten year self-imposed break, Rudd and Putt released the gorgeous "Living On A Volcano" CD, and a couple of tracks from this reflective work appear on the soundtrack of the David Williamson / Richard Frankland directed movie, "Brilliant Lies".
Mike and Bill's latest CD "Spill", with special guests, Colin Hay and Chris Wilson, sees the return of the legendary SPECTRUM, playing interpretations of some classic blues songs along with a few of their own bluesy tunes. This blues version of SPECTRUM, with drummer Peter 'Robbo' Robertson and Mal Logan on keyboards, played the Goulburn Blues Festival earlier this year to launch the CD, and they have appeared at the Queenscliff Festival and the Frankston Guitar Festival among others..
To see a complete Mike Rudd and Bill Putt performance is to see them range from the 'unplugged' duo format - with nylon stringed guitars, mandolin, recorder and harmonica - to the complete SPECTRUM ensemble, performing many of their classic songs from the past thirty years as well as affectionate blues, and rhythm and blues covers.
These guys care about the music they make and it shows. Their workshops - and they've done workshops from Port Fairy Folk Festival to the Frankston Guitar Festival as well as schools and TAFES - are a treat for up-and-coming and experienced musicians alike. They have the respect of their fellow performers and the music loving public, and are an ornament to any music festival or event. Simply put...They are bloody legends.
SPECTRUM will be playing at the Warradale Hotel on Saturday 23, October. Chances to see interstate acts of this calibre are rare, and I'm sure there'll be a good crowd in attendance for what will be a big night's entertainment.
Big Mike Hotz
(Thanks very much to Smokin' Joe for supplying Blues News with the above information, and for bringing this wonderful act to Adelaide. Also, watch out for a review of the Spectrum CD, "Spill" in next month's Blues News. CD also supplied courtesy of Smokin' Joe.)
The Warradale Hotel - Has the Blues Down South
With a few venues beginning to present blues music around the traps these days, the passionate blues lover now has a nice choice of venues and acts to go see each week. Wednesday nights at The Gov, Thursday at Smitty's Garage, and take your pick on Fridays, Saturdays and Sundays. The very first venue I visited upon relocating to Adelaide, was the Warradale Hotel to see the Lunchcutters and The Giants. The place was packed and there was a very nice buzz going around the room and a good time was had by all. There's a lot of blues action going on at The Warradale every weekend these days, and the dedicated blues fans, hungry for more of the kind of music that keeps us all going, could do themselves a favour and check out The Warradale.
One of Adelaide's most consistent live music venues, the Warradale Hotel, has supplied local and interstate bands for 8 years. Dave Fisher, manager of the hotel, takes pride in the consistency of the hotel providing music to his avid music lovers on Friday nights, the occasional Saturday, and now Sunday afternoons. Having grown up in the area, Dave is very popular within his community, and knows his area, it's people, and his patrons very well.
The introduction of bands marked a turning point for Adelaide as the first live music venue in the Southern districts. We all know that ventures like this do not fall short of risks, but consistency has paid off. Dave makes it a point to communicate with his patrons, asking what they like, and what they don't like to hear. Using these comments as a measuring stick, The Warradale is now home to plenty of local and interstate Rockin' Rhythm and Blues bands.
Due to the high level of respect and integrity Dave offers bands, the hotel is now experiencing an influx of interstate acts that make a point of letting him know when they are in town. Great Australian acts such as Matt Taylor's "Chain", The Giants, and the Bondi Cigars to name a few, are regulars to the hotel because of the treatment they receive. Particularly impressive of this venue is it's attitude to securing acts that time may have forgotten. For example the older age patrons relive their youth when Chain hits the stage, and can you imagine what the aura will be like when Spectrum - the living treasures of Australian music - perform in the 'Tower Bar' in October.
The 'Tower Bar', located in the Southwestern corner of the hotel, provides a safe, secure environment for all visitors. The friendly, efficient bar staff ensure that no-one need wait too long, and there are two 8 Ball tables for those who like to shoot a little pool while listening to good blues. Great meals are available between 6 - 8pm at very reasonable prices. Bands start at 9:00pm and the bar is open 'til 2:00am. Out of towners need not worry about driving home after a late night at the hotel can also provide quality accommodation at very affordable rates.
In short, the 'Tower Bar' provides the very best of Adelaide's local bands every Friday night. Interstate acts where possible, take centre stage on Saturdays (Keep your eyes on the gig guides) when they visit our fair city. Recently, the 'Tower Bar' has introduced 'Blues Unplugged' between the hours of 5:00 - 9:00pm on Sundays. The theme is of an acoustic unplugged format (as the name suggests), and is designed to allow people the chance to relax and unwind after a hectic week. So far, acts such as Les Karski, Marco Goldsmith (Vic), and Billy (The Fools)
O'Grady have entertained patrons in a nice, laid-back atmosphere. Evening meals are also available between 6 - 8pm, and the bar is licensed until midnight.
Check out the gig guide in this issue for the quality acts coming to the 'Tower Bar', The Doors Experience, The Others, The Giants, Spectrum, Chain, Bondi Cigars, and the list goes on...what a great line-up of acts. make it a point to visit this venue and experience the vibe and the atmosphere for yourself. The Warradale Hotel is located at the corner of Diagonal and Morphett Roads in Warradale. Phone (08) 8298 7470 for band details.
October - Festival Month
It's all happening Festival wise around the country. The Great Southern Blues and Rockabilly Festival is happening at Narooma in N.S.W. on October 2 and 3. Billed as 'The Friendly Festival' this one is rapidly becoming huge. With a cast of thousands including international acts; Little Charlie and The Nightcats, Johnnie Johnson All Star Band, Ronnie 'The Blond Bomber' Dawson, Michael Hill's Blues Mob and The Chris Cain Band to name but a few, and Australian acts like Billy Thorpe, The Backsliders, Rockbottom James and The Detonators, Red Rivers and Adelaide's own, The Brown Brothers, Mal Eastick Band, Damon Davies, Jan Preston, Bondi Cigars and stacks more, it's got me beat how Neil Mumme finds the time to ring 'em all up. If you want to throw the kids into the back seat and the esky in the boot (or vice versa), this festival will be the answer to your blues prayers.
Phone Festival info line (02) 4476 2550 for more information.
But if you find it's a little too far to travel with the rug rats screamin' in the back seat, you could always head off to The Vines Blues Festival, at The Vine Hotel in Wangaratta, Victoria, over three days, Friday 29th, Saturday 30th, and Sunday 31st October. Take the Detour Road in North Wangaratta (Hume Highway), and follow the signs. $30:00 will score you a three day pass or you can fork out a miserly $15:00 for a day pass. If you want to save even more, you can purchase 'Early Bird Tickets' for just $25:00, as long as you order and pay before October 20.
Kenny Terrington (solo), Big Blue, Brian Fraser (solo), Wild Turkey, Muddy Puddles (reunion), Turning Blue, Harpin' Mama, Snake Hips, Oozin Blues.....what a line-up. Camping is available with showers and toilets at $5:00 a night at the Footy Ground. It's an all-weather venue and a monster beer garden.
For any enquiries phone/fax Geoff on 0352290486 or The Vine Hotel on 0357212605
VicTas Awards
Results of the 1999 Inaugural VicTas Blues Music Awards.
* Service Award was presented to Ross Mortimer for substantial contributions to the Blues Community.
* Emerging Talent Award was presented to "Collard Greens & Gravy".
* Song Of The Year was presented to Dutch Tilders for "Imagination Blues".
* Male Artist Of The Year was tied with Geoff Achison and Ian Collard.
* Female Artist Of The Year was presented to Marion Turner of "Salty Dog" and "Slidin' Delta".
* Band Or Duo Of The Year was presented to "Collard Greens & Gravy".
* Album Of The Year was presented to "Collard Greens & Gravy" for their self-titled debut.
Sleepy Hollows Blues Club
In keeping with letting everyone know about what's going on in other parts of our wide brown land, the follwing story was plagarised from the Sleepy Hollow Blues Club's 'Blues Newsletter". I spoke to Brian Fraser, Vice-President of the club, who kindly gave me the details about their annual New Year's Eve festival, and there's a special ticket price on offer to any member of the South Australian Blues Society who wants to travel to Geelong in Victoria for a little bluze action to bring in the Year 2000.
Sleepy Hollows Blues Club was formed in 1994 by a dedicated group of blues lovers in Geelong. The club meets every second Sunday for a top-class blues jam, and there are frequent social events, featuring a wide variety of local and visiting musicians, including Geoff Achison, Jeff Lang, Tony Sarno, Muddy Puddles, Third Degree, Rocket 88's, Turning Blue, Offender, Hoy Hoy, Dutch Tilders, Grizzly Bros, Bo Jenkins and Chris Finnen.
The Bluestone Festival, held every New Year's Eve, is the highlight of the club's activities, with attendances of around 700, as blues lovers from the Geelong district and all over the country flock to enjoy this event. The Festival runs from New Year's Eve afternoon until the early hours, and most people camp overnight and enjoy the jam sessions on New Year's Day. A number of popular blues bands appear throughout the Festival, and a well stocked bar, hot and cold food, craft stalls and merchandise stalls ensure that all attendees are well catered for.
The club is associated with other blues clubs around Australia, including the Melbourne Blues Appreciation Society and the South Australian Blues Society, and members are welcome at other club's functions.
Membership entitles you to all kinds of benefits, such as discounts from sponsors, free or discount entry at club events and newsletters. The financial benefits are clear - if you attend only three jams and one party during the year, and purchase a club T-shirt, you've already made your money back - from then on, everything you come along to is money in your pocket! Membership applies annually from August 1 each year, so if you join in June or July of any year, we'll give you the additional months free! Or if you'd prefer, you can join our mailing list and receive all the newsletters and other mailouts about special events.
New members are always welcome. Just call any of the committee. If you would like to become a member or if you need any further information, Fees are: Adults - $25:00, Student/Pensioner Concession - $20:00, Couples - $40:00, Family - $50:00, Mailing List Only - $15:00.
President Geoff Donaldson (03) 5229 0486, Vice President Brian Fraser, Secretary Joy Stoneman (03) 5241 9115, Membership Rick Webb (03) 5221 1184. Mailing Address: P.O. Box 1928, Geelong Mail Centre, 3213.
I spoke to Brian Fraser regarding this year's Festival and Brian had some exciting things to tell me. Now the New Year's Festival is a full two day event. Beginning around 4:00 - 6:00pm on New Year's Eve, there will be two solid days of fun, frivolity and good blues from plenty of this country's top bands. Some on the bill include Oozin' Blues, Back Street Blues, Big Blue, Kenny Terrington's Cup Of Tea, The Grizzly Bros, Muddy Puddles, Brian Fraser (solo), Kenny Terrington (solo), Paul Puche (solo), and more.
(It would be well worth the trip just to see the two re-formed bands Muddy Puddles and The Grizzly Bros who are re-forming especially for this Festival in my humble opinion, apart from the other acts on the bill who are each and every one a great act in their own right. In the five piece Grizzly Bros, there are two of the best guitar slingers in Australia in Mick Riley and Harry Khuenel, the singer, Stooka Bennet is an awesome vocalist, with a voice as big as his physical dimensions, Sandy Brady is a classy lady who plays mean bass, and J.P. is one helluve drummer, and this will be a rare opportunity to see this superb band, and of course The Puddles. Geoff Donaldson and Kenny Terrington, one of Australia's foremost blues duos for many years...can't wait.)
The Festival has moved venues this year. Now it will be held on the Murgheboluc Reserve. Follow the signs out of Geelong on the Hamilton Highway, and 15 minutes later you'll arrive at the Festival site. Free camping is available at the site and Brian assured me that there will be plenty of bar and food facilities to cater for the expected crowd.
Tickets to the Festival are $40:00 for the two days, and $30:00 to their members. Brian says that any member of our South Australian Blues Society planning to make the trip, will also only have to pay the $30:00 entry fee, and extends the same courtesy to members of other blues clubs and societies around the country. (Another way in which being a member of S.A.B.S. can save you dollars) Book tickets by phoning Rick Webb on (03) 5221 1184.
Thanks to the Sleepy Hollows Blues Club and Brian Fraser for the information contained in this article.
Big Mike Hotz
Postscript
I learnt recently of the passing last year (2018) of Big Mike Hotz. I helped Mike with the “Blues News” monthly publication for the SA Blues Society during the late 90’s. It was a good working relationship apart from a few episodes. I still recall the furore over a band’s image on the cover of one of the issues of The Blues News. Mike and I thought it was the best cover yet but not a certain member of that band. Another of my better efforts at publishing was to refer to a visiting band from the states as Little Charlie and The Night Caps! (No I did not have a drinking problem at that stage) I enjoyed Mike’s articles and appreciated his insight into the history of the blues.
David Stoeckel
Little Charlie and The Nightcaps
